
On a somber evening at the Pacific Design Center in West Hollywood, a tense atmosphere enveloped the screening of ‘Last Take: Rust and the Story of Halyna Hutchins.’ This documentary, intended to honor the life and tragic end of cinematographer Halyna Hutchins, found itself at the heart of unexpected controversy and heartfelt discussions. As the FYC event unfolded, it became evident that the film had diverged significantly from its initial vision, steering instead into the chaotic aftermath of Hutchins’ untimely demise on the set of the indie Western Rust.

Joel Souza, the director of Rust, who was injured in the same incident that claimed Hutchins’ life, expressed a poignant wish during the Q&A session. “I hoped it might have a little more Halyna in it or been a little more about Halyna,” Souza revealed, hinting at the original intent to focus more intimately on Hutchins’ contributions and less on the sensational aspects that the media latched onto following her death.
The Evolution of a Documentary
The story of Halyna Hutchins, a Ukraine-born cinematographer, has been overshadowed by the extensive legal and media circus surrounding the accident on the Rust set, involving actor Alec Baldwin and armorer Hannah Gutierrez-Reed. While Baldwin’s criminal charges were dismissed, the repercussions of the incident continue to unravel, impacting many lives and careers.
The documentary, set to premiere on Hulu on March 11, was crafted by Hutchins’ close friends Rachel Mason and Julee Metz, with her widower Matthew Hutchins serving as an executive producer. The filmmakers were granted unprecedented access to footage from the Rust set and conducted interviews with key crew members, ensuring a comprehensive portrayal of the events and the people involved.

However, as the documentary took shape, it faced the inevitable influence of its commercial stakeholders. Metz addressed these pressures candidly, stating, “Rachel had a very clear vision in the beginning… But over time, and as we gained new partners on this project, it became clear that there was a commercial value to the story of Rust. And that needed to be part of the story that we had to tell.” This shift underscores a common dilemma in creative endeavors, where the original artistic vision can be diluted by external commercial interests.
A Night of Technical Troubles and Emotional Exchanges
The screening itself was marred by technical difficulties, with issues in the audio playback leading to multiple interruptions. These hiccups, however, allowed for unexpected interactions. Rachel Mason, donning Hutchins’ signature wide-brimmed hat, engaged directly with the audience, many of whom shared personal connections with Hutchins. This impromptu exchange highlighted the community’s enduring respect and affection for the cinematographer, bringing personal stories and memories to the forefront amidst the technical chaos.
As the evening concluded, the audience was left to reflect on the complex layers of storytelling and remembrance. The documentary, while altered from its original conception, serves as a stark reminder of the intricate interplay between personal loss, artistic expression, and the harsh realities of the entertainment industry. It is a poignant exploration of how stories are shaped not just by those who lived them, but also by those who tell them.

Looking Ahead
With the premiere approaching and discussions ongoing about the portrayal of Halyna Hutchins’ legacy, the documentary promises to reignite conversations about safety on set, the responsibilities of filmmakers, and the ways we memorialize those we lose. While Last Take: Rust and the Story of Halyna Hutchins may not be the tribute some had hoped for, it undeniably brings important issues back into the public eye, ensuring that the dialogue continues in the hope of fostering safer, more respectful filmmaking environments.